P is for Pronunciation

Ken Beatty Dr. Ken Beatty

The best gift I ever received was three large boxes of books. My much-older cousin, Donald, was a doctoral student in oceanography and was due to spend the better part of a year far from our homes in Vancouver, Canada, sailing in the Russian arctic. Before he left, he piled about 300 paperback science-fiction novels and short-story collections into boxes and deposited them at my feet with the words, “I think you will enjoy these.”

I was 12, it was the first day of summer vacation, and I was hooked. Over the next lazy months and into the fall, I read obsessively.

I finished them all.

The consequences, I realize now, were profound. My reading speed and vocabulary certainly increased. My imagination was sparked, as was my critical thinking: “How could that alien dinosaur find anything to eat on that dusty moon?!” But one small casualty of the epic reading binge was my pronunciation.

When any language learner acquires vocabulary, there can be mismatches between hearing and comprehension. This is extremely common when we mishear song lyrics, such as the lines of the Bob Dylan song: “The answer my friend, is blowin’ in the wind.” which some have misheard as “The ants are my friends, blowin’ in the wind.”

This type of error points to the mental mechanisms our brains try to employ to make sense of what we hear, approximating new strings of sounds like a smartphone app to find the closest pronunciation that provides meaning. However, in my case, my error was typical of those who learn new vocabulary through reading. For some reason, I had read the word robot over and over, mentally pronouncing it as row-but (IPA / roʊ bʌt /) rather than the standard (for my local Canadian dialect) robot, row-bought (IPA / roʊ bɑt /). Through my adolescence, no one corrected me or, if they did, I paid them no mind.

The blame is not exclusively mine. In large part, it has to do with the irrational nature of English pronunciation. Variations occur to such an extent that it’s questionable whether or not we should teach many of them. In 1922, a Dutch writer by the name of G. Nolst Trenité compiled about 800 challenging words into one poem that he called The Chaos. Most native English speakers have difficulty getting through the poem without making a dozen or more errors. Try it yourself, reading the following 13 lines aloud at a brisk pace (the full poem is further below):

Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)

Even with the assistance of the rhyming portions, pronouncing the poem correctly is still a challenge and surprisingly typical of the pronunciation hurdles that learners need to leap over to communicate successfully.

How can teachers help? It begins with understanding the complex nature of pronunciation.

First, as seen with the Bob Dylan example, the brain has to understand what is being heard and match the sounds to meaningful words. Part of this is deciding what is significant in pronunciation. For example, some Asian languages have a different perception of the significance of r and l when they listen and speak. Other languages, and even other English dialects, feature other differences. In addition, native English speakers routinely drop sounds at the start, middle, or end of words, often blending them together or changing sounds so that a simple question like What’s up? becomes Wassup?

Once the sound is understood, there are a variety of physiological issues that go into pronunciation. These include processes that occur in the throat with the control of air, with shaping the mouth, and through arranging the tongue and lips. For students whose languages do not include the same consonant and vowel sounds, there is a learning curve to control the organs of speech. There are additionally cultural issues, such as a reluctance to show the tongue during the pronunciation of l sounds.

Here are five tips to help learners.

1. Separate pronunciation from other lessons. Too often, teachers will correct grammar, usage, and pronunciation together, leading to criticisms like, “That’s the wrong word, and not the right part of speech, and you’re saying it wrong.” Make pronunciation its own lesson.

2. Listen to decide when a student’s errors are simple one-time mistakes or more systematic pronunciation errors that need to be remediated. Let simple mistakes slide so you can focus on the more important errors.

3. Consider when to use implicit and explicit correction. Implicit correction involves repeating what the student has said, but with the correct pronunciation. Explicit involves explaining why the pronunciation is wrong.

4. Use visual aids to make the learning memorable. These might include a chart of a cutaway view of the mouth, tongue, and teeth to show where pronunciation occurs. A colleague used to bring his son’s toy hammer and toy pliers to the classroom. He used the hammer to beat out the rhythm and intonation of sentences on the desks and threatened to use the pliers to pull out students’ tongues when they failed to pronounce l sounds effectively.

5. Instead of always focusing on what is wrong, take time to praise the weakest students when they pronounce something correctly. This shifts students from thinking that they have poor pronunciation to the idea that they have problems pronouncing some words and, with practice, can improve.

I’m an example! After several decades, I’ve learned to pronounce robot!

Tasks for Teachers

1. Ask students to choose a short piece of writing that interests them and that is appropriate to their age and level. Have them record it, checking their pronunciation, and rerecording it until they are satisfied that it is their best effort. Ask them to check it with peers before sharing it with you or the class.

2. Ask students to find a recorded piece of dialogue, such as a speech, and record themselves reading it. Ask them to compare their pronunciation to that of the recording in the same way. Ask them to check with peers.

Tasks for Learners

1. Read the poem The Chaos by G. Nolst Trenité in a group. Help each other by first underlining the words you already know and know how to pronounce, and then teach them to others in the group. Some words, like Melpomene and Terpsichore (goddesses of tragedy and dance, respectively) are uncommon, but you can look up the pronunciation anyway.

The Chaos
by G. Nolst Trenité

Dearest creature in creation,
Study English pronunciation.
I will teach you in my verse
Sounds like corpse, corps, horse, and worse.
I will keep you, Suzy, busy,
Make your head with heat grow dizzy.
Tear in eye, your dress will tear.
So shall I! Oh hear my prayer.
Just compare heart, beard, and heard,
Dies and diet, lord and word,
Sword and sward, retain and Britain.
(Mind the latter, how it’s written.)
Now I surely will not plague you
With such words as plaque and ague.
But be careful how you speak:
Say break and steak, but bleak and streak;
Cloven, oven, how and low,
Script, receipt, show, poem, and toe.
Hear me say, devoid of trickery,
Daughter, laughter, and Terpsichore,
Typhoid, measles, topsails, aisles,
Exiles, similes, and reviles;
Scholar, vicar, and cigar,
Solar, mica, war and far;
One, anemone, Balmoral,
Kitchen, lichen, laundry, laurel;
Gertrude, German, wind and mind,
Scene, Melpomene, mankind.
Billet does not rhyme with ballet,
Bouquet, wallet, mallet, chalet.
Blood and flood are not like food,
Nor is mould like should and would.
Viscous, viscount, load and broad,
Toward, to forward, to reward.
And your pronunciation’s OK
When you correctly say croquet,
Rounded, wounded, grieve and sieve,
Friend and fiend, alive and live.
Ivy, privy, famous; clamour
And enamour rhyme with hammer.
River, rival, tomb, bomb, comb,
Doll and roll and some and home.
Stranger does not rhyme with anger,
Neither does devour with clangour.
Souls but foul, haunt but aunt,
Font, front, wont, want, grand, and grant,
Shoes, goes, does. Now first say finger,
And then singer, ginger, linger,
Real, zeal, mauve, gauze, gouge and gauge,
Marriage, foliage, mirage, and age.
Query does not rhyme with very,
Nor does fury sound like bury.
Dost, lost, post and doth, cloth, loth.
Job, nob, bosom, transom, oath.
Though the differences seem little,
We say actual but victual.
Refer does not rhyme with deafer.
Feoffer does, and zephyr, heifer.
Mint, pint, senate and sedate;
Dull, bull, and George ate late.
Scenic, Arabic, Pacific,
Science, conscience, scientific.
Liberty, library, heave and heaven,
Rachel, ache, moustache, eleven.
We say hallowed, but allowed,
People, leopard, towed, but vowed.
Mark the differences, moreover,
Between mover, cover, clover;
Leeches, breeches, wise, precise,
Chalice, but police and lice;
Camel, constable, unstable,
Principle, disciple, label.
Petal, panel, and canal,
Wait, surprise, plait, promise, pal.
Worm and storm, chaise, chaos, chair,
Senator, spectator, mayor.
Tour, but our and succour, four.
Gas, alas, and Arkansas.
Sea, idea, Korea, area,
Psalm, Maria, but malaria.
Youth, south, southern, cleanse and clean.
Doctrine, turpentine, marine.
Compare alien with Italian,
Dandelion and battalion.
Sally with ally, yea, ye,
Eye, I, ay, aye, whey, and key.
Say aver, but ever, fever,
Neither, leisure, skein, deceiver.
Heron, granary, canary.
Crevice and device and aerie.
Face, but preface, not efface.
Phlegm, phlegmatic, ass, glass, bass.
Large, but target, gin, give, verging,
Ought, out, joust and scour, scourging.
Ear, but earn and wear and tear
Do not rhyme with here but ere.
Seven is right, but so is even,
Hyphen, roughen, nephew Stephen,
Monkey, donkey, Turk and jerk,
Ask, grasp, wasp, and cork and work.
Pronunciation (think of Psyche!)
Is a paling stout and spikey?
Won’t it make you lose your wits,
Writing groats and saying grits?
It’s a dark abyss or tunnel:
Strewn with stones, stowed, solace, gunwale,
Islington and Isle of Wight,
Housewife, verdict and indict.
Finally, which rhymes with enough,
Though, through, plough, or dough, or cough?
Hiccough has the sound of cup.
My advice is to give up!!!

2. Pick ten or so words from The Chaos to write your own poem or story. Share it with other students.

References

Celce-Murcia, M., Brinton, D.M. & Snow, M.A. (eds.) (2014) Teaching English as a second or foreign language (4th ed.). Boston: Heinle & Heinle.

Dylan, B. (1963). Blowin’ in the wind. The freewheelin’ Bob Dylan. New York: Columbia Records.

Trenité, G. N. (1922). The chaos. Retrieved from: http://ncf.idallen.com/english.html

Dr. Ken Beatty, teacher trainer, writer, and TESOL Professor, has promoted best teaching and learning practices from primary through university levels in 300+ sessions in 31 countries. Ken is author of 130+ textbooks, including books in the Pearson series Learning English for Academic Purposes (LEAP).

New Insights into Grammar Practice from Cognitive Science

stacy 

New Insights into Grammar Practice from Cognitive Science

By Stacy Hagen

Grammar practice, particularly at the sentence level, may bring up associations of rote drills or mindless repetition. As teachers, we’re supposed to focus on activities that are communicative or task-based. Yet, as Dörnyei (2009) points out, communicative language teaching is based on learning by doing and does not look at how people actually learn. Some second language researchers have turned to cognitive science to look at what is happening in the adult brain as we learn, and findings related to memory and skill acquisition have important implications for how we practice the skills. Let’s take a look at a few key points.

Automatization

Our working memory, where we hold and process information for a short time, is limited to only a few items, perhaps four at the most. The good news is that we can create more room in our working memory by making a skill automatic. In skill acquisition theory, this is known as automatization. Once a behavior becomes automatic and moves to procedural memory (a part of our long-term memory), there is room to handle more complex tasks. An easy example to relate to comes from math. After children have learned their times tables and can automatically retrieve information from their procedural memory, their working memory is free to do more complicated math.

In language development, it is our procedural memory that allows us to speak automatically without focusing on grammar or syntax. DeKeyser (2007) found in his research with second language learners that repeated practice led to automatization: the error rate and reaction time declined as a result of practice.

In the classroom, we need to provide sufficient, repeated practice, and the repetition should be interesting and meaningful.  Role-play, games, stories, personalized practice, and fun fluency techniques, as in the following activity, are just a few of the ways we can make repetition relevant and engaging.

Midas

Incremental practice and spaced repetition

Another insight from cognitive science is the importance of presenting information in bite-size pieces. Breaking down exercises into shorter pieces or subtasks can help reduce the working memory load. Incremental step-by-step practice helps students absorb material better. Long grammar charts are useful references for teachers, but students benefit more from practicing fewer points at any one time.

Similarly, learners retain information better when practice is spread out over time (spaced practice) rather than condensed (massed practice). Gerunds and infinitives are a good example. Traditionally, grammar books cover them in one or two chapters, and there are often upwards of 200 to learn. Teaching gerunds and infinitives in small numbers from the beginning of the term, with lots of time for recycling, will result in deeper learning as the information moves into long-term storage.

As a profession, we have gotten away from asking students to memorize. Nevertheless, a useful technique called spaced repetition can help memorize some basic grammar structures. Basically, spaced repetition is a way of memorizing information by spacing out practice at specific intervals. Hinkel (2015), in her book Effective Curriculum for Teaching L2 Writing, says that spaced repetition is the single most important technique in all vocabulary teaching. Likewise, there are grammar structures that lend themselves to memorization: irregular past tense and past participle forms, gerunds and infinitives, preposition combinations with verbs and adjectives, and two- and three-word verbs. Students who know their past participles don’t need to worry about forms as they create sentences requiring perfect verbs.

flashcards

Pattern seeking

Another interesting finding is that the adult brain is a pattern-seeking organ. Carefully designed charts and exercises can help learners see patterns, which in turn, helps them make sense of the information they are learning. Having students complete exercises that specifically focus on grammatical patterns (such as in the example below) allows them to gain a fuller understanding of the target grammar they are learning.

movies

This is an exciting time for our field. Cognitive science is shedding new light on how we learn, and researchers have found that repeated, meaningful practice can help our students learn more efficiently and deeply.

The new edition of Understanding and Using English Grammar incorporates the findings from cognitive science research. Click here to learn more about the new edition.  

References

DeKeyser, Robert M. 2007. Practice in a Second Language, Cambridge: Cambridge University Press.
Dörnyei, Zoltan. 2009. The Psychology of Second Language Acquisition. Oxford: Oxford University Press.
Hinkel, Eli. 2015. Effective Curriculum for Teaching L2 Writing: Principles and Techniques, New York: Routledge.

 

Flipping Your Grammar Classes with the Azar-Hagen Grammar Series

tesh picture
Geneva Tesh

The flipped classroom model is not a new concept for most ESL teachers. We’ve been flipping classes long before it became the latest trend in education, long before we even knew what to call it, understanding intuitively that students will not acquire a language by passively listening to an instructor’s lecture. Flipping the classroom happens naturally in conversation and reading classes, which lend themselves to class discussions or role-playing activities, or in writing classes, where students can spend valuable class time writing and peer editing. But what about grammar classes? This seems to be where many teachers get trapped in the common pitfalls of providing lengthy explanations and reading through a list of rules, followed by reciting answers to fill-in-the-blank activities. How can grammar teachers apply the flipped model to create engaging, dynamic lessons? Continue reading

M is for Motivation

Ken Beatty  Dr. Ken Beatty

“Daddy, can I please help take out the garbage?”

Now that my sons are teenagers, it’s been a while since I’ve heard requests like that. But when they were young, even the most mundane events and tasks seemed to appeal to them as exciting experiences and learning opportunities.

What changed?

All children learn, but some learn better, faster, and more easily than others. Certainly some learners are more able or less able, but a key difference in any learner’s acquisition of knowledge is motivation.

Motivation can be intrinsic or extrinsic. Intrinsic motivation, or internalized motivation, is one in which learners find their own personal reasons for learning. Extrinsic, or externalized, motivation is when learners are driven by others’ ideas of what to learn, how to learn it, and how success in learning might be measured. A challenge for teachers is how to move extrinsically motivated learners to become intrinsically motivated ones. Achieving this shift fosters better attitudes toward learning and develops a culture of lifelong learning. Continue reading